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| Type | List | Author  | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Mahot, Augustin; Indy, Vincent de (eds.) | 100 chorals / Joh. Seb. Bach. | EdBreitkopf | 2121-4 | 35, 35, 35, 35p | |||
 | 2. | Hattori, Ryutaro | 100 Dai Ongakuka no Shogai to Geijutsu. | 527, 26p | |||||
 | 3. | Leys, Peter | 10 Jaar Johannespassion door Cantabile-Gent. | EvenAanzoemen | 26 | 2 | 6-7 | ||
| | 4. | Chrysander, Friedrich (ed.) | 12 kleine Präludien. | SamClavComp | 1 | 2 | 10-22 | ||
| | 5. | Szendy, Arpád (ed.) | 15 ausgewählte kleine Praeludien. | ||||||
| | 6. | [Mendelssohn Bartholdy, Felix] (ed.) | 15 Grosse Choral-Vorspiele für die Orgel von JOHANN SEBASTIAN BACH. | 48p | |||||
| | 7. | Szendy, Arpád (ed.) | 15 háromszólamú inventió. | 41p | |||||
| | 8. | Chrysander, Friedrich (ed.) | 15 Inventionen und Sinfonien. | SamClavComp | 1 | 4 | 68-110 | ||
| | 9. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (eds.) | 15 inventions à 2 voix -- 15 inventions à 3 voix. | EdPeters | [201] | 39p | |||
| | 10. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (eds.) | 15 inventions à 2 voix -- 15 inventions à 3 voix | EdPeters | 201 | 63p | |||
| | 11. | Szendy, Árpád (ed.) | 15 Kétszólamu inventió. | 33p | |||||
| | 12. | Taylor, Franklin (ed.) | 15 three-part inventions / Bach. | AugenerEd | 8019 | 33p | |||
| | 13. | Taylor, Franklin (ed.) | 15 two-part inventions / Bach. | AugenerEd | 8018 | 31p | |||
| | 14. | Szendy, Árpád (ed.) | 15 válogatott kis praeludium / Bach. | 25p | |||||
| | 15. | Taylor, Franklin (ed.) | 15 zweistimmige Inventionen / Joh. Seb. Bach. | 31p | |||||
| | 16. | Wollny, Peter | 1700-Nen Zengo no Kyokai Ongaku no Janru to Yoshiki. | [ce]BachKantataNoSekai | 1 | 43-66 | |||
| | 17. | I, Ga-yeong [Lee, Ka-young] | 1733-nyeon, geurigo Baheu yi ilsang: 1733-nyeon misa wa sesogkantata | SeoyangEumaghag | 18 | 3 | 105-128 | ||
| | 18. | Dalley-Scarlett, R. | 1750-1950. | Canon | 4 | 262-267 | |||
 | 19. | Tomita, Yo | 1780nendai Wien to 'Heikinritsu Klavier Kyokushu' Dai-2-Kan. Shiryo Densho kara kaimamiru fukuzatsu de unique na Juyoshi. | [p]MSJ_Tokyo | |||||
| | 20. | Hamada, Yoshimichi | 17-Seiki Shoto no Itaria Ongaku. | BCJ | 19 | ||||
 | 21. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. | diss. | |||||
| | 22. | Osumi, Kinya | 18 no Korarushu (BWV 651-668) ni tsuite. | BachZenshu | 10 | 242-250 [47-55] | |||
| | 23. | Suematsu, Yoshimi | 18-Seiki Doitsu no Gengo to Bunka. | [ce]KyoyoToShiteNoBach | 132-145 | ||||
| | 24. | Maezawa, Kyoko | 18-seiki Doitsu Ongaku to Concerto Keishiki: Italia Ongaku ni Hanei sareta J. S. Bach no Hatten o Shiya ni. | Bandaly | 3 | 3-19 | |||
| | 25. | Oka, Tamayo | '18seiki no Enso Jissen' ni yoru Piano de hiku J.S. Bach. | BulMusashinoAcadM | 39 | 19-41 | |||
| | 26. | Taylor, Franklin (ed.) | 18 short preludes / Bach. | AugenerEd | 8020 | 27p | |||
| | 27. | Mehne, Wendy Herbener | 18th-Century Woodwind Articulation. | FluteTalk | 13 | 8 | 13-15, 23 | ||
| | 28. | Yoshinari, Jun | 19-Seiki ni okeru Bach. | [ce]KyoyoToShiteNoBach | 174-185 | ||||
| | 29. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. | diss. | 123, 70, 2p | ||||
| | 30. | Tomita, Yo | 19-seiki no Shuppanfu kara miru Bach Juyo no Shoyoso. | [p]MSJ_Tokyo | |||||
| | 31. | Piatigorsky, Gregor (arr.) | 1er concerto / [J. S. Bach] | 11p + 1 St | |||||
 | 32. | Bruyck, Carl van | 1. Johann Sebastian Bach. Von C. H. Bitter. -- Zwei Bände im Verlage von Ferdinand Schneider in Berlin. / 2. J. S. Bach's Werke, herausgegeben von der Bach-Gesellschaft im Verlage von Breitkopf und Härtel in Leipzig. I.-XIII. Band. | MsTheaterM | 11 | 31 f | 484-487 f | ||
| | 33. | Nemerowsky, Alexandre (arr.) | 1re Partie du Concerto No. 1 / Joh. Seb. Bach | ||||||
| | 34. | Kull, Joyce Shupe | 2005 FAGO Exam Bach Repertoire, Fugue only, from Prelude and Fugue in E-flat, BWV 552; Un poco allegro (final movement) from Trio Sonata No. 4 in E Major [sic], BWV 528. | AmerOrganist(2) | 39 | 3 | 74-75 | ||
| | 35. | Osumi, Kinya; Kato, Hiroko (eds.) | 200 CD Bach Meikyoku, Meiban o kiku. | 240, xvi p | |||||
| | 36. | Ridgway, Lee | 2012 Eastman Rochester Organ Initiative. | AmerOrganist(2) | 47 | 3 | 50-53 | ||
| | 37. | Le Couppey, Félix (ed.) | 20 pièces classées par progression de difficulté / Séb. Bach | 55p | |||||
| | 38. | Yppiroglu, Nazan; [Ipsiroglu, Nazan] | 20. yüzyil sanatinda J.S. Bach. | 119p | |||||
| | 39. | Autry, Philip | 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. | Clavier | 37 | 8 | 13-15, 17-18, 20 | ||
| | 40. | Webster, Mary Phillips (ed.) | 263 settings of 73 chorale melodies / Johann Sebastian Bach. | 104p | |||||
| | 41. | Niemeyer, Annemarie | 265 Jahre Arnstädter Bach-Orgel. Zum 39. Deutschen Bachfest der Neuen Bachgesellschaft in Weimar von 25. bis 28. September 1964. Hrsg. vom Deutschen Kulturbund Arnstadt, Arbeitsgemeinschaft für musik und Bachpflege. | 12p | |||||
| | 42. | Taylor, Stainton de Boufflers (ed.) | 2 Chorale Preludes manualiter, Allein Gott in der Höh' -- To God on High Above; Aus tiefer Noth -- In My Despair I Cry to Thee. | HinrichsenEd | 376a | 7p | |||
| | 43. | D'Indy, Vincent (ed.) | 2e Sonate en La: piano et violon / J. S. Bach. | NEdFrancMClassique | 74-76 | 7, 5p; 2, 2p | |||
| | 44. | [D'Indy, Vincent] (ed.) | 2 Gavottes favorites, en Sol et Ré / J. S. Bach. | NEdFrancMClassique | 23 | ||||
| | 45. | Dyckerhoff, Gisela | 3. Internationale Bachwoche Wiesbaden. | MKirche | 50 | 3 | 152-153 | ||
| | 46. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (ed.) | 3 Sonaten / Bach. | EdPeters | 213 | 39p | |||
| | 47. | Henley, William (ed.) | 41 preludes and studies / Johann Sebastian Bach. | 51p | |||||
| | 48. | Szwajgier, Krzysztof | 4'33' to CAGE to BACH. | 299-309 | |||||
| | 49. | [Mendelssohn Bartholdy, Felix] (ed.) | 44 kleine Choralvorspiele für die Orgel von JOHANN SEBASTIAN BACH. | 51p | |||||
| | 50. | Nomura, Yasuhira | 4-seitai Koraru 'Watashi wa aware na Ningen' (BWV 179/6) ni taisuru arata na Kaishaku. | OngakuGaku | 52 | 1 | 79-80 | ||
| | 51. | Higuchi, Ryuichi | 4tsu no Duetto BWV 802-805 [in Clavierübung III]. | BachZenshu | 11 | 224-225 [24-25] | |||
| | 52. | Synofzik, Thomas (ed.) | 50 Jahre Alte Musik im WDR. 1954 - 2004. | [ce]50JahreAlteMusikImWDR | 320p | ||||
| | 53. | Linsenmeyer, Klaus | 57. Bachfest der Neuen Bachgesellschaft in Würzburg. | MKirche | 52 | 6 | 309-310 | ||
| | 54. | Mayröcker, Friederike | 5. Brandenburgisches Konzert. | [ce]Bachfest_Salzburg | 106 | ||||
| | 55. | Snieckowski, Seweryn (arr.) | 5 fug 4-glosowych na 2 trabki, róg i puzon / Johann Sebastian Bach. | 22p + 3 St | |||||
| | 56. | D'Indy, Vincent (ed.) | 5me Sonate en Fa: piano et violon / J. S. Bach. | NEdFrancMClassique | 171-173 | 5, 5, 7p + St | |||
| | 57. | Nowotny, Carl (arr.) | 6 Duette für 2 Violinen | 19p | |||||
| | 58. | D'Indy, Vincent (ed.) | 6e suite française: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 277-278 | 9p | |||
| | 59. | Le Couppey, Félix (ed.) | 6 FUGUES / Seb. Bach | 25p | |||||
| | 60. | Miyake, Yukio | 6-kyoku no Furuto Sonata (BWV 1030-1035) ni tsuite. | BachZenshu | 13 | 201-207 [62-68] | |||
| | 61. | [D'Indy, Vincent] (ed.) | 6 Petits Préludes: Oeuvres originales / J. S. Bach. | NEdFrancMClassique | 115-116 | ||||
| | 62. | Isoyama, Tadashi | 7-tsu no Tokkata ni tsuite. | BachZenshu | 12 | 212-215 [26-29] | |||
| | 63. | Kabalevsky, Dmitri [Kabalewski, Dimitrij] (arr.) | 8 kleine Präludien und Fugen für Orgel: Heft II [nos.5-8]. / J.S. Bach | 17p | |||||
| | 64. | Kabalevsky, Dmitri [Kabalewski, Dimitrij] (arr.) | 8 kleine Präludien und Fugen für Orgel: Heft I [nos.1-4]. / J.S. Bach | 17p | |||||
| | 65. | Dunham, Henry Morton (ed.) | 8 short Preludes and Fugues and other Pieces ; Bach's Smaller Organ Works. | ||||||
| | 66. | [Grew, Sydney] | A Bach concerto and its performance. | BritishMusicianMNews | 11 | 12 (120): 1916 | 269-271 | ||
| | 67. | [Grew, Sydney] | A Bach Correspondence: Between an Englishman and an American. | BritishMusicianMNews | 14 | 5 (137): 1933 | 114-116 | ||
| | 68. | Kenyon, Nicholas | A Bach family portrait? | EarlyM | 13 | 2 | 164 | ||
| | 69. | Kinney, Doris | A Bach Festival in Madeira. | HiFiMAmer | 30 | 12 | 34f | ||
| | 70. | Pernye, András | A Bach fesztivál hangversenyeiröl. | Muzsika | 7 | 8 | 14-16 | ||
| | 71. | Fabian Somorjay, Dorottya | A Bach-interpretacio valtozo stilusa: Goldberg variációk 1945-1978. | [fs]Kroo70 | 26-41 | ||||
| | 72. | Davies, Anthony St John | A Bach Pilgrimage. | Organ | 74 | 291 | 41-42 | ||
| | 73. | Humphreys, David | A Bach Polyglot - The A Major Prelude & Fugue BWV 536. | OrganYb | 20 | 72-87 | |||
| | 74. | Gerstlé, Henry S. | A Bach Recording. | BritishMusicianMNews | 9 | 12 (96): 1892 | 281 | ||
| | 75. | Terry, Charles Sanford | A Bach Relic. | MTimes | 76 | 1114 | 1075-1078 | ||
| | 76. | Grave, Floyd K. | Abbé Vogler and the Bach Legacy. | 18cStud | 13 | 2 | 119-141 | ||
| | 77. | Grave, Floyd K. | Abbé Vogler and the Study of Fugue. | MTheorySpec | 1 | 43-66 | |||
| | 78. | Hesford, Bryan (ed.) | A beginner's Bach: six short chorale preludes for organ. | 10p | |||||
| | 79. | Kobayashi, Yoshitake | Abel - Gamba. | [ce]GakkiHakubutsukan | 33 | ||||
 | 80. | Wood, Henry Joseph (arr.) | Abide with me: song for voice and orchestra by J.S. Bach | 4 Bl | |||||
| | 81. | Pereira, Mayra | A boa execução em instrumentos de teclados segundo o Ensaio sobre a maneira correta de tocar teclado, de C.P.E. Bach. | [cr]RioDeJaneiro2004 | 33-36 | ||||
| | 82. | Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.) | About Bach. | [ce]AboutBach | xi, 216p | ||||
| | 83. | Niemeyer, Annemarie | Abschied von Thomas-Kantor Günther Ramin, [in memoriam] Febr. 1956. | KulturspiegelArnstadt | 15-16 | ||||
| | 84. | Wollny, Peter | Abschriften und Autographe, Sammler und Kopisten. | BachNachwelt | 1 | 27-62 | |||
| | 85. | [Knyvett, William] | A catalogue of a very valuable and celebrated collection of music, the whole being actually the property of William Knyvett, Esq. (Who is retiring from London,) comprising the most choice vocal and instrumental productions of the english and foreign schools, ancient and modern [...] which will be sold by auction, by Mr. W. P. Musgrave, [...] on Thursday 30th June, and Friday 1st July, 1825, [...] | 26p | |||||
| | 86. | Crosby, Brian | A catalogue of Durham Cathedral music manuscripts. | xxxiii, 271p | |||||
| | 87. | Guy, Barry | Access all areas. | Strad | 112 | 1332 | 419 | ||
| | 88. | [Grew, Sydney] | A Century Ago: Bach in England, I. | BritishMusicianMNews | 11 | 7 (115): 1911 | 157-160 | ||
| | 89. | [Grew, Sydney] | A Century Ago: Bach in England, II. | BritishMusicianMNews | 11 | 8 (116): 1912 | 184-186 | ||
| | 90. | [Grew, Sydney] | A Century Ago: Bach in England, III. | BritishMusicianMNews | 11 | 9 (117): 1913 | 208-209 | ||
| | 91. | Bilica, Krzysztof | Ach, Bach?! - Ba, Chopin! | 174-184 | |||||
| | 92. | Seiber, Mátyás (ed.) | Ach lieben Christen. Tenor Aria. Cantata No.114 / J. S. Bach | 7p + St | |||||
| | 93. | Eyre, Edmund | A Choirboy's Bach. | MOpinion | 80 | 953 | 297 | ||
| | 94. | Eickemeyer, Willy (ed.) | Acht Fugen für Klavier oder Cembalo von Wilh. Friedemann Bach. | CollLitolff | 2796 | 21p | |||
| | 95. | Bruyck, Carl van (arr.) | Acht Fugen und vier Praeludien aus Joh. Seb. Bach's Wohltemperirtem Clavier als Trios für Violine, Viola und Violoncell | 3 St | |||||
| | 96. | Dykes Bower, John; Emery, Walter (eds.) | Acht kleine Präludien und Fugen / Johann Sebastian Bach. | OrgWorks(Novello) | 1 | [rev] | 25p | ||
| | 97. | Schytte, Ludwig | Acht Silhouetten - Schattenbilder - nach Bach, Mozart, Beethoven, Mendelssohn, Chopin, Schumann, Grieg, Rubinstein componirt als Variationen über ein Original- Thema. Op. 24. | ||||||
| | 98. | Synofzik, Thomas | Achtzehn Choräle. | BachHandb | 4 | 2 | 601-621 | ||
| | 99. | Perry, David W. | A cognitive neuropsychological analysis of melody recall. | ContempMReview | 9 | 97-111 | |||
| | 100. | Mulbury, David | A collection of organ music by pupils of J. S. Bach. | diss. | 102, 89p | ||||
| | 101. | Tovey, Donald Francis | A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. | 79p | |||||
| | 102. | Van Wyk, Theodore Justin | A comparative study of registration practices in selected organ works of Johann Sebastian Bach (1685-1750) based on recordings made by Marie-Claire Alain and Jacques van Oortmerssen. | diss. | |||||
| | 103. | Zyl, Sonia van | A comparative study of the use of ornamentation in two works by J.S. Bach in a South African context. | diss. | xi, 125p | ||||
| | 104. | McNulty, Loretta Jean Wood | A Comparative Study on Bach Transcriptions of Schönberg, Webern, and Strawinsky. | diss. | 90p | ||||
| | 105. | Sircy, Virginia Rice | A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. | diss. | x, 62p | ||||
| | 106. | Lowry, Palmer D. | A Comprehensive Index of J. S. Bach Books in English. | Organ | 63 | 247 | 36-45 | ||
| | 107. | Choi, Jeeyoon | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. | diss. | 315p | ||||
| | 108. | Czerny, Carl; Bishop, John (eds.) | A CONCERTO IN THE ITALIAN STYLE, an Overture in the French Style, and a Theme with 30 Variations. / Composed by JOHN SEBASTIAN BACH. | Czerny-Bishop | 5 | 83p | |||
| | 109. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. | diss. | xv, 199p | ||||
| | 110. | Rhyne, David Ernest | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. | diss. | 326p | ||||
| | 111. | Eder, Terry Edward | A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. | diss. | 247p | ||||
| | 112. | Buck, Percy C. | Acoustics for Musicians. | 152p | |||||
| | 113. | Kenyon, Nicholas | A C. P. E. Bach Oratorio ['Auferstehung und Himmelfahrt Jesu' to be performed at Camden Festival] | MTimes | 118 | 1609 | 197-198 | ||
| | 114. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. | diss. | |||||
| | 115. | D'Indy, Vincent (ed.) | Actus tragicus (O tendre maitre). Contr. / J. S. Bach. | NEdFrancMClassique | 92 | 3p | |||
| | 116. | Higuchi, Ryuichi | 'Actus Tragicus' - sono Densho to Juyo. | OngakuGaku | 27 | 1 | 48-56 | ||
| | 117. | Rothwell, Evelyn (arr.) | Adagio. | 3p | |||||
| | 118. | Meyer, Waldemar; Schwalm, Robert (arr.) | Adagio aus dem Violinkonzert (E dur) für Violine mit Pianoforte / Joh. Seb. Bach. | ||||||
| | 119. | Brearley, Denis H. R. (arr.) | Adagio aus den Goldberg Variationen / Bach. | HinrichsenEd | 284 | 5p + 2 St | |||
| | 120. | Dont, Jacob; Nowotny, Carl (arr.) | Adagio aus der ersten Sonate für Violine solo senza Basso von Joh. Seb. Bach. | 5p + 1 St | |||||
| | 121. | Stutschewsky, Joachim; Thaler, I. (ed.) | Adagio aus der Toccata C-Dur für Orgel / Johann Sebastian Bach. | EdPeters | 4214 | 3p + 1 St | |||
| | 122. | Nemerowsky, Alexandre (arr.) | Adagio du Concerto (A moll) / Joh. Seb. Bach. | EcoleOrgueHarm(Nemerowski) | 18 | ||||
| | 123. | Hess, Myra (arr.) | ADAGIO from Organ Toccata in C major, No.1 by J. S. BACH. | 3p | |||||
| | 124. | Murray, Anthony Gregory (arr.) | Adagio from the sixth Brandenburg concerto / J. S. Bach | 7p | |||||
| | 125. | Stutschewsky, Joachim (arr.) | Adagio / Marcello-Bach. | 3p + 1 St | |||||
| | 126. | Fabian, Dorottya | Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez. | MagyarZene | 42 | 3-4 | 311-335 | ||
| | 127. | Rohmeyer, Hartmut | Adam Gottfried Oehme, ein Nachfolger des Orgelbauers Gottfried Silbermann. | OrganYb | 12 | 104-119 | |||
| | 128. | Byron, May Clarissa Gillington | A Day with John Sebastian Bach. | 56p | |||||
| | 129. | Yoon, Soomee | Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. | diss. | xi, 67p | ||||
| | 130. | Naliwajek-Mazurek, Katarzyna | A Dialogue: Pawë Szymañski and Bach. | [p]BNUK_Warsaw | |||||
| | 131. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part I. | NACWPIJ | 29 | 1 | 4-15 | ||
| | 132. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part II. | NACWPIJ | 29 | 2 | 19-26 | ||
| | 133. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part III. | NACWPIJ | 29 | 3 | 47-54 | ||
| | 134. | Fenley, John Franklin | A Discussion of Selected Ornamentation in J. S. Bach's Flute Sonatas--Part IV. | NACWPIJ | 29 | 4 | 15-22 | ||
| | 135. | Rathey, Markus | A Divided Country - A Divided Bach: The Cantor-Kapellmeister Controversy and the Cold War. | Bach | 47 | 2 | 1-26 | ||
| | 136. | McClary, Susan | Adorno plays the WTC: On political theory and performance. | IndianaTheoryReview | 27 | 2 | 97-112 | ||
| | 137. | Beardsley, Monroe Curtis | Aesthetics: Problems in the Philosophy of criticism. | xv, 614p | |||||
| | 138. | Y., J. | [A. F. C. Kollmann and the introduction of Bach's music to England] | MTimes | 4 | 87 | 240 | ||
| | 139. | Yates, P. | A few elementary questions about Bach. | MNews | 42 | 3-4, ff | |||
| | 140. | Kao, Phyllis Shu | Affective Gesture in J. S. Bach's Keyboard Music with Special Reference to Selected Works in D Minor. | diss. | 186p | ||||
| | 141. | Serauky, Walter | Affektenlehre. | MGG(1) | 1 | 113-121 | |||
| | 142. | Madry, Alina; [M¹dry] | 'Affektenlehre' in the Works of J. S. Bach and C. P. E. Bach. | CompostelaPrize | 2 | 113-121 | |||
| | 143. | Reinburg, Peggy Kelley | Affektenlehre of the Baroque era and their application in the works of Johann Sebastian Bach (specifically in the Schübler Chorales) | AmerOrganist(1) | 51 | 6 | 15-17, 28-30 | ||
| | 144. | Murray, Anthony Gregory (arr.) | Affettuoso: from the fifth Brandenburg Concerto / J.S. Bach | SchottRecorderSer | 39 | 4p + St | |||
| | 145. | Thyssen, Peter | Af kærlighed vil min frelser dø (Aus Liebe will meine Heiland sterben): Musik og kristendom i Johann Sebastian Bachs Matthæus-Passion. | 192p | |||||
| | 146. | Shenk, Mary Nic | A Florida Bach Festival. | HiFiMAmer | 29 | 6 | 34f | ||
| | 147. | Kreyßig, August Hermann | Afraner-Album: Verzeichniss sämmtlicher Schüler der Königlichen Landesschule zu Meissen von 1543 bis 1875, 8422 an der Zahl. | viii, 636p | |||||
| | 148. | Abravaya, Ido | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | ||
| | 149. | Burney, Charles | A General History of Music, From the Earliest Ages to the Present Period. | ||||||
| | 150. | Busby, Thomas | A General History of Music, from the Earliest Times to the Present; Comprising the Lives of Eminent Composers and Musical Writers. | xii, 552; iv, 523p | |||||
| | 151. | Fábián Somorjay, Dorottya [Fabian Somorjay, Dorottya] | A Goldberg-variációk különbözõ felvételei: A Bach-interpretáció változása 1945-1981 között. | BachTanulmanyok | 6 | 17-34 | |||
| | 152. | [Drinker, Henry S.] (ed.) | Ah, God, from Heaven Look Anew ... | ChoralSer(AssocAmerChorus) | 140 | 24p | |||
| | 153. | [Drinker, Henry S.] (ed.) | Ah God, How Sad and Sick at Heart ... | ChoralSer(AssocAmerChorus) | 23 | 22p | |||
| | 154. | [Drinker, Henry S.] (ed.) | Ah How Fleeting, Ah How Futile. ... | ChoralSer(AssocAmerChorus) | 41 | 24p | |||
| | 155. | Ho, Shao Ying | A Historiography of Musical Historicism: The Case of Johannes Brahms. | diss. | xi, 133p | ||||
| | 156. | Haynes, Bruce | A history of performing pitch. The story of 'A'. | 568p | |||||
| | 157. | [Drinker, Henry S.] (ed.) | Ah Lord Spare Thou this Sinner. ... | ChoralSer(AssocAmerChorus) | 92 | 20p | |||
| | 158. | Rathey, Markus | Ai no Uta. Bach no Seigaku Sakuhin. | 224p | |||||
| | 159. | Godfrey, Dan (arr.) | Air. | 29 St | |||||
| | 160. | Meyer, Fritz (arr.) | Air. 2. Satz aus der D dur-Ouv. (Suite) / Joh. Seb. Bach. | ||||||
| | 161. | Burmester, Willy; Lier, Jacques van (arr.) | Air (auf der G-Saite) / J. S. Bach. | AlteMeister(Burmester/Lier) | 2 | 10 | 3p + St | ||
| | 162. | Burmester, Willy; Leeuwen, Ary van (arr.) | Air (auf der G-Saite) / J. S. Bach | AlteMeister(Burmester/Leeuwen) | 2 | 10 | |||
| | 163. | Nowotny, Carl (arr.) | Air (aus der D-Suite) für Violin und Pianoforte / Joh. Seb. Bach | ||||||
| | 164. | Hesford, Bryan (arr.) | Air: from Suite in D BWV 1068 (Air on the G string) / J.S. Bach. | 4p | |||||
| | 165. | Czerny, Carl; Griepenkerl, Friedrich Conrad; Roitzsch, Friedrich August (eds.) | Air / J. S. Bach. | 3p | |||||
| | 166. | Pickles, Sydney (arr.) | Air on a G String: [from] Suite in D major: for piano / Bach | LilacSer | 82 | 2p | |||
| | 167. | Haywood, Ernest (arr.) | Air on the G String ... | ||||||
| | 168. | Zathey, Janusz | Akademia Bachowska w Krakowie. | RuchMuzyczny(3) | 30 | 26 | 16-17 | ||
| | 169. | Murray, Michael | Albert Schweitzer, musician. | xiv, 161p | |||||
| | 170. | Wessely, Othmar | Albert Schweitzer - Musiker und Musikgelehrter. | OrganaAustriaca | 2 | 168-181 | |||
| | 171. | Cherniavsky, David | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. | Etude | 72 | 1 | 11, 63-64 | ||
| | 172. | Beyrich, J. G. | Album. Auswahl classischer Compositionen von Scarlatti, Corelly, Sebastian u. Emanuel Bach, Händel, Haydn, Beethoven, Mozart, Clementi, Pleyel & Dussek. | ||||||
| | 173. | Yearsley, David | Alchemy and Counterpoint in an Age of Reason | JAMSoc | 51 | 2 | 201-243 | ||
| | 174. | Rathey, Markus | A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. | [p]BICB_Belfast | |||||
| | 175. | Tureck, Rosalyn | A lesson on 'Postillion's Air and Fugue' from Bach's 'Capriccio on the Departure of his Beloved Brother'. | PianoTeacher | 6 | 8-9 | |||
| | 176. | François-Sappey, Brigitte | Alexandre Pierre François Boëly, 1785-1855, ses ancêtres, sa vie, son œuvre, son temps. | xiii, 627p | |||||
| | 177. | Fridecky, Frigyes | A lipcsei Bach-Versenyek magyar tanulságai. | Muzsika | 7 | 8 | 12-14 | ||
| | 178. | Tovey, Donald Francis | A Listener's Guide to 'Die Kunst der Fuge.' | [ce]Tovey MusicAnalysis | Chamber | 75-89 | |||
| | 179. | Tureck, Rosalyn | All about Bach. | MArtists | 3 | 1 | 19 | ||
| | 180. | Paczkowski, Szymon | Allegorical meaning of the polonoise in Bach's vocal works. | [p]BCB_Logrono | |||||
| | 181. | Nemerowsky, Alexandre (arr.) | Allegretto de la Sonate (C) / J. Ch. Bach. | EcoleOrgueHarm(Nemerowski) | 14 | ||||
| | 182. | Murray, Anthony Gregory (arr.) | Allegro ... | ||||||
| | 183. | O'Leary, Arthur (ed.) | ALLEGRO MODERATO from the ITALIAN CONCERTO by J. S. BACH. | Classics(Ashdown) | 12 | 9p | |||
| | 184. | Dont, Jacob; Nowotny, Carl (arr.) | Allegro und Prelude: zwei Sätze aus den Sonaten No. 2 u. 3 für Violine solo / Johann Sebastian Bach. | 16p + 1 St | |||||
| | 185. | Wollny, Peter | 'Allemande faite en passant le Rhin dans une barque en grand peril'. Eine neue Quelle zum Leben und Schaffen von Johann Jakob Froberger (1616-1667) | JbStaatInstMf | 2003 | 99-115 | |||
| | 186. | Haywood, Ernest (arr.) | Allemande in E minor / C.P. Emanuel Bach | 4p | |||||
| | 187. | Busby, Thomas | Allgemeine Geschichte der Musik von den frünesten bis auf die gagenwärtigen Zeiten; nebst Biographien der berühmtesten musikalischen Compònisten und Schriftsteller. Aus dem Englischen übers, und mit einigen Anmerkungen und Zusätzen begleitet von Christian Friedrich Michaelis. | 586, 711p | |||||
| | 188. | Wollny, Peter | Allgemeine Strategien in Bachs I. Kantatenjahrgang: Einleitung. | [p]BS_Dortmund | |||||
| | 189. | Wollny, Peter; Wolff, Christoph | Allgemeine Strategien in Bachs I. Leipziger Kantatenjahrgang: Einleitung. | DortmundBachF | 3 | 23-40 | |||
| | 190. | [Drinker, Henry S.] (ed.) | All Glory to the Lord. ... | ChoralSer(AssocAmerChorus) | 99 | 36p | |||
| | 191. | [Drinker, Henry S.] (ed.) | All Glory to the Lord of Lords. ... | ChoralSer(AssocAmerChorus) | 91 | 26p | |||
| | 192. | [Drinker, Henry S.] (ed.) | All Must be as God Doth Will It. ... | ChoralSer(AssocAmerChorus) | 45 | 28p | |||
| | 193. | Wollny, Peter | Alte Bach-Funde. | BachJb | 84 | 137-148 | |||
| | 194. | Heyder, Bernd (behe) | Alte Instrumente erwünscht. Das Leipziger Bachfest (21.-30.7.2000). | Concerto | 17 | 156 | 13-15 | ||
| | 195. | Leisinger, Ulrich; Wollny, Peter | 'Altes Zeug von mir': Carl Philipp Emanuel Bachs kompositorisches Schaffen vor 1740. | BachJb | 79 | 127-204 | |||
| | 196. | Wollny, Peter | Altnickol, Johann Christoph. | MGG2(Personen) | 1 | 549-552 | |||
| | 197. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. | diss. | 133p | ||||
| | 198. | Chrysander, Friedrich | Am 23. Februar. [Über Bach, Händel und Schütz]. | AllgMlZ(3) | 10 | 9 | 129-130 | ||
| | 199. | Welter, Kathryn | A Master Teacher Revealed: Johann Pachelbel's Deutliche Anweisung. | [ce]AboutBach | 3-13 | ||||
| | 200. | Taylor, Nik | A Meditation on Peter's Denial in J. S. Bach's Passions. | [p]FMCS_NotreDame | |||||
| | 201. | Rathey, Markus | American Bach Society Biennial Conference 26-29 April 2018 Yale University. | BachNotesABS | 27 | 5-6 | |||
| | 202. | Hill, Richard Synyer | A mistempered Bach manuscript. | Notes | 7 | 3 | 377-386 | ||
| | 203. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. | diss. | 105p | ||||
| | 204. | Kelly, Elaine | 'A More Beautiful Era of Art.' Figurenlehre, Style Brisé and Other Baroque Elements in Brahms's Piano Compositions: Brahms's Involvement as a Scholar, Performer and Editor of Baroque Keyboard Music and the Effect It Exerted on His Compositional Style. | diss | v, 500p | ||||
| | 205. | Houston, Kerry; White, Harry (eds.) | A musical offering: Essays in honour of Gerard Gillen. | [fs]Gillen | xvi, 400p | ||||
| | 206. | McNulty, Sarah | A Musical-Rhetorical Vocabulary in C.P.E. Bach's Flute and Continuo Sonatas Wq. 125-129, 134 and Implications for Performance. | EarlyMPerformer | 25 | 14-26 | |||
| | 207. | Lloyd, Llewelyn S. | A Musical Slide Rule. | 25p | |||||
| | 208. | Fabian, Dorottya | A musicology of performance: theory and method based on Bach's solos for violin. | ii, 339p | |||||
| | 209. | Halley, Jeanne | A mysterious lacuna: Reconsidering the exclusion of French Baroque music and dance from the curricula. | MBAmerM | 20 | 189-202 | |||
| | 210. | Burney, Charles | An Account of an Infant Musician. | ||||||
| | 211. | Burney, Charles | An account of the Musical Performances in Westminster-Abbey and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1784. In commemoration of Handel. | vii, xvi, 139p | |||||
| | 212. | Chailley, Jacques | Anagrammes musicales et 'langages communicables'. | RevueMcol | 67 | 1 | 69-79 | ||
| | 213. | Bogatyrëv, Semën S. | Analiz nekotorych fug Bacha. | [ce]Bogatyrev | 29-52 | ||||
| | 214. | Tomita, Yo | Analysing Bach's ink through a glass darkly. | MTimes | 139 | 1865 | 37-38, 40-42 | ||
| | 215. | Folio, Cynthia | Analysis and Performance of the Flute Sonatas of J. S. Bach: a Sample Lesson Plan. | JMTheoryPedag | 5 | 2 | 133-159 | ||
| | 216. | Chen, Yin-Lin; Wang, Tien-Ming; Liao, Wei-Hsiang; Su, Alvin W. Y. | Analysis and trans-synthesis of acoustic bowed-string instrument recordings - a case study using Bach Cello Suites. | ||||||
| | 217. | Wood, Henry Joseph | Analytical notes for the choristers on Bach's Mass in B Minor. | 5 pt | |||||
| | 218. | Trolier, Kimberly Ann | Analytical topics in Bach's flute sonatas. | diss. | 79p | ||||
| | 219. | Wagner, Edyth | Analyzing a Bach Prelude. | Clavier | 8 | 7 | 35-38 | ||
| | 220. | Emery, Walter | An American Manuscript: Two Unknown Pieces by Bach? | MTimes | 95 | 1338 | 428-430 | ||
| | 221. | Tretick, Sidney J. | An analysis of performance practices for the Johann Sebastian Bach chaconne based upon the Anna Magdalena Manuscript. | diss. | 79p | ||||
| | 222. | Murphy, Eliana Maria | An Analytical Comparison of the Variation Movement from Ludwig van Beethoven's Piano Sonata in E Major, Op. 109 to Johann Sebastian Bach's Aria mit verschiedenen Veranderungen, BWV 988 ('Goldberg Variations'). | diss. | xv, 122p | ||||
| | 223. | Rabin, Judy Ellen | An annotated chronological bibliography of literature and editions of 'Das Wohltemperierte Clavier'. | diss. | 144p | ||||
| | 224. | Cypess, Rebecca | Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle. | Bach | 47 | 1 | 21-65 | ||
| | 225. | Murray, Anthony Gregory (arr.) | Andante from Cantata No. 74. / J. S. Bach | SchottRecorderSer | 60 | 4p + 1 St | |||
| | 226. | Murray, Anthony Gregory (arr.) | Andante from the second Brandenburg concerto / Joh. Seb. Bach | SchottRecorderSer | 42 | 4p + 2 St | |||
| | 227. | Siloti, Alexander Ilyich (arr.) | Andante (From the Sonata for Violin Solo in A Minor) J. S. Bach. | 5p | |||||
| | 228. | Scott, Cyril (arr.) | Andante in F (from the Clavier Sonata in D minor) / J.S. Bach | 7p | |||||
| | 229. | Tilley, Janette (ed.) | Andreas Hammerschmidt: Geistlicher Dialogen Ander Theil. | RecentResearchMBaroq | 150 | xxv, 108p | |||
| | 230. | Serauky, Walter | Andreas Werckmeister als Musiktheoretiker. | [fs]MaxSchneider60 | 118-122 | ||||
| | 231. | Trochimczyk, Maja | Andriessen and the art of composing. | 277-296 | |||||
| | 232. | Spanyi, Miklos | An easy sonata of Carl Philipp Emanuel Bach and its less easy embellishments. | ClavichordInternat | 3 | 1, 2 | 17-19; 45-46 | ||
| | 233. | Emery, Walter | A Neglected Bach Manuscript. | MReview | 11 | 3 | 169-174 | ||
| | 234. | Lychner, John A. | An empirical study concerning terminology relating to aesthetic response to music. | JResearchMEduc | 46 | 2 | 303-319 | ||
| | 235. | Ornoy, Eitan | An empirical study of intonation in performances of J.S. Bach's sarabandes: Temperament, 'melodic charge', and 'melodic intonation'. | OrbisMusicae | 14 | 37-76 | |||
| | 236. | Moroney, Davitt | A New Completion for Bach's Unfinished Harpsichord Fugue in c Minor, BWV 906/2. | [fs]Jeans75 | 113-120 | ||||
| | 237. | Tomita, Yo | A new light shed on the origin of Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. | [p]BMC_London | |||||
| | 238. | Wollny, Peter | A newly-discovered Bach autograph from the Weimar period. | [p]ABS_Yale | |||||
| | 239. | Wollny, Peter | A newly discovered Bach autograph from the Weimar period. | [p]BCB_Exeter | |||||
| | 240. | Kenyon, Nicholas | A newly discovered group of canons by Bach. | MTimes | 117 | 1599 | 391-393 | ||
| | 241. | Fábián, Dorottya; Schubert, Emery | A new perspective on the performance of dotted rhythms. | EarlyM | 38 | 4 | 585-588 | ||
| | 242. | Clark, Robert Haydon | A new recording to document old traditions: The restored Hildebrandt organ at Naumburg. | GOArtPub | 13 | 23-27 | |||
| | 243. | Fabian, Dorottya; Schubert, Emery | An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt | 70-84 | |||||
| | 244. | Colley, Ann; Banton, Louise J.; Down, Julia | An expert-novice comparison in musical composition. | PsycholM | 20 | 2 | 124-137 | ||
| | 245. | Wollny, Peter | 'Angenehmes Wiederau, freue dich in deinen Auen'. Johann Sebastian Bachs Huldigungskantate, BWV 30a. | SüdraumJ | 4 | 36-39 | |||
| | 246. | Mundry, Johannes | Angenehm verpacktes Wissen - Das neue Bach-Museum in Leipzig. | MKirche | 80 | 3 | 227 | ||
| | 247. | Higuchi, Ryuichi | Anhalt-Köthen Ko Leopold no tame no Soso Ongaku BWV 244a no Seiritsu to Parody no Shomondai. | OngakuGaku | 20 | 2 | 98-116 | ||
| | 248. | Muller, Stephanus Jacobus van Zyl | An interpretative analysis of the Capriccio in B flat major, BWV 992, by J. S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano. | diss. | |||||
| | 249. | Tureck, Rosalyn | An introduction to Bach. | MLetters | 42 | 2 | 196-198 | ||
| | 250. | Tureck, Rosalyn | An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck | 24p | |||||
| | 251. | Playford, John | An Introduction to the Skill of Music. | ||||||
| | 252. | Emery, Walter | An Introduction to the Textual History of Bach's Clavierübung, Part II. | MTimes | 92 | 1299, 1300 | 205-209; 260-262; (362) | ||
| | 253. | Kirby, Frank Eugene | An introduction to western music: Bach, Beethoven, Wagner, Stravinsky. | xviii, 456p | |||||
| | 254. | [Beyer und Maring] | Ankündigung eines neuen praktischen Werks für Organisten. | AllgMlZ | 2 | Intel 12 | 48-50 | ||
| | 255. | Wollny, Peter | Anmerkungen zu Carl Philipp Emanuel Bachs Kompositionen im 'strengen Stil'. | JbStaatInstMf | 1997 | 62-73 | |||
| | 256. | Grychtolik, Alexander Ferdinand | Anmerkungen zu den Aufführungsstätten J. S. Bachs in Weimar. | BachJb | 99 | 309-318 | |||
| | 257. | Wollny, Peter | Anmerkungen zu einigen Berliner Kopisten im Umkreis der Amalien-Bibliothek. | JbStaatInstMf | 1998 | 143-162 | |||
| | 258. | Wollny, Peter | Anmerkungen zum Kantatenrepertoire der Mügelner Kantorei im 18. Jahrhundert. | SchrRMittDMges | 2 | 2 | 127-145 | ||
| | 259. | Wollny, Peter | Anmerkungen zur Bach-Pflege im Umfeld Sara Levys. | BeitrGesBachRezeption | 1 | 39-49 | |||
| | 260. | Wollny, Peter | Anmerkungen zur Bach-Überlieferung in Thüringen. | [p]IMK_Erfurt | |||||
| | 261. | Wollny, Peter | Anmerkungen zur Überlieferungs- und Aufführungsgeschichte des Magnificat Wq 215 von Carl Philipp Emanuel Bach. | CPEBachKonzepteSR | 3 | 1 | 15-29 | ||
| | 262. | Mooser, Robert Aloys | Annales de la musique et des musiciens en Russie au XVIIIme siècle. Tome 1: Des origines à la mort de Pièrre III (1762). | 456p | |||||
| | 263. | Tomita, Yo | Anna Magdalena as Bach's Copyist. | [p]Women_Yale | |||||
| | 264. | Tomita, Yo | Anna Magdalena as Bach's Copyist. | [p]BNUK_Oxford | |||||
| | 265. | Tomita, Yo | Anna Magdalena as Bach's Copyist. | UnderstandingBach | 2 | 59-76 | |||
| | 266. | Sela, Yael | Anna Magdalena Bach's Büchlein (1725) as a Domestic Music Miscellany. | UnderstandingBach | 5 | 87-97 | |||
| | 267. | Sela, Yael | Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. | [p]BICB_Belfast | |||||
| | 268. | Meyers, Anne Akiko; Ramey, Corinne | Anne Akiko Meyers looks at both parts of the Bach double. | Strings | 27 | 1:208 | 27-28 | ||
| | 269. | Emery, Walter | A Note on Bach's Use of Triplets. | BachSt | 5 | 109-111 | |||
| | 270. | Emery, Walter | A Note on Sigla. | MonMRec | 83 | 943 | 16-18 | ||
| | 271. | Emery, Walter | A Note on the History of Bach's Canonic Variations. | MTimes | 104 | 1439 | 32-33 | ||
| | 272. | Payne, Ian | Another Telemann Misattribution: Doubtfully Bred. | MTimes | 140 | 1869 | 37-42 | ||
| | 273. | Manaris, Bill; Johnson, David; Vassilandonakis, Yiorgos | A novelty search and power-law-based genetic algorithm for exploring harmonic spaces in J.S. Bach chorales. | 95-106 | |||||
| | 274. | Meyer, Ulrich | Anregungen aus Bachs Kantatentexten für heutige Evengelienmusik. | [cr]Eisenach1996 | 171-178 | ||||
| | 275. | Meyer-Sichting, Gerhard | Ansbacher Tagebuch: Bachwoche Ansbach 1952. | BachWoche_Ansbach | 62-71 | ||||
| | 276. | Ryom, Peter | Antonio Vivaldi: Table des concordances des œuvres (RV). | 92p | |||||
| | 277. | Ryom, Peter | Antonio Vivaldi: thematisch-systematisches Verzeichnis seiner Werke (RV). | xxx, 633p | |||||
| | 278. | Mendelssohn Bartholdy, Felix | [Antwort auf Härtels Anfrage nach Überlassung seiner handschriftlichen Partitur der Messe in h] | ||||||
| | 279. | Wollny, Peter | An Unknown Collection of Organ Dispositions from Bach's Circle. | [p]ABS_Rochester | |||||
| | 280. | Wollny, Peter | An Unknown Collection of Organ Dispositions from Bach's Circle. | [fs]Koopman | 293-303 | ||||
| | 281. | Carneyro, Cláudio | Análise de 'O cravo ben Temperado'. | ArteMusical(4) | 24 | 738-757 | |||
| | 282. | Pernye, András | A népszerü Bach. | Kritika | 6 | 35-39 | |||
| | 283. | Adiloglu, Kamil; Noll, Thomas; Obermayer, Klaus | A Paradigmatic Approach to Extract the Melodic Structure of a Musical Piece. | JNewMResearch | 35 | 3 | 221-236 | ||
| | 284. | Gauntlett, Henry John (ed.) | A PASSACAGLIA, being XX VARIATIONS and GRAND FUGUE on a GROUND BASE. / [J. S. Bach] | ChoralInstrFugues(Gauntlett) | 3 | 13 | 58-69 | ||
| | 285. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | ||||
| | 286. | Thierbach, Sue Ellen Puyear | A pedagogical guide to selected violin concertos by Bach, Viotti, Goldmark, and Khachaturian. | diss. | xxii, 286p | ||||
| | 287. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. | diss. | 142p | ||||
| | 288. | Kim, Mary Byung-Ae | A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. | diss. | 158p | ||||
| | 289. | Singley, Henry Ellis, III | A Performer's Study of Three Multimovement Organ Compositions Representing Eighteenth-Century France, Eighteenth-Century Germany, and Twentiety-Century France: Boyvin, Bach and Duruflé. | diss. | 178p | ||||
| | 290. | Cheng, Ephraim Ho-Yin | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. | diss. | 198p | ||||
| | 291. | Liebman, Elad; Ornoy, Eitan; Chor, Benny | A phylogenetic approach to music performance analysis. | JNewMResearch | 41 | 2 | 195-222 | ||
| | 292. | Morley, Thomas | A Plaine and Easie introduction to Practicall Musicke. | ||||||
| | 293. | Paczkowski, Szymon | A Polonaise duet, composed for a merchant, a professor and a king. On the Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. | [p]BICB_Warsaw | |||||
| | 294. | Paczkowski, Szymon | A Polonaise Duet for a Professor, a King and a Merchant: On Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. | UnderstandingBach | 2 | 19-36 | |||
| | 295. | Paczkowski, Szymon | A Polonaise Duet for a Professor, a King and a Merchant: on Cantatas BWV 205, 205a, 216 and 216a by Johann Sebastian Bach. | McolToday | 6 | 90-112 | |||
| | 296. | Mayer, Dorothy Moulton | Appendix 1--Spohr and Bach. | 193-195 | |||||
| | 297. | Montgomery, James L. | Application of Baroque organ articulation concepts to a wind-band transcription of J. S. Bach's Toccata and Fugue in D Minor, BWV 565. | diss. | 96p | ||||
| | 298. | Spányi, Miklós | Appreciating the music of C.P.E. Bach today. | [ce]Late18cComposers_CPEB | 3-4 | ||||
| | 299. | Smith, Larry H. | A practical organ accompaniment for the Christmas oratorio of Johann Sebastian Bach. | diss. | |||||
| | 300. | Nex, Jenny; Whitehead, Lance | A preliminary investigation into the stringing of Swedish clavichords. | DeClavicordio | 4 | 147-160 | |||
| | 301. | Lindley, Mark | A quest for Bach's ideal style of organ temperament. | MichaelsteinKonfBer | 52 | 45-67 |
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